Il presente contributo rilegge le indicazioni elaborate dal movimento situazionista – ineludibile il riferimento a Guy Debord – in aperta sintonia con la chiusa del testo benjaminiano dedicato alla fotografia e al cinema, L’opera d’arte nell’epoca della sua riproducibilità tecnica[1]. A partire da questa singolare prospettiva saranno indagati i rapporti tra il movimento situazionista e...
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